three major trees

Three Daemok (三) is the second year of Queen Jinseong ( 888 ), It is the oldest incense house in Korea that Wi -hong was compiled with Daegu Burn . Currently, it is not destroyed , and only the record is said to have been compiled by the three -mok queen in the Three Kingdoms Sagi .

There is a theory that " the Hyangga of the Silla period were divided into three parts and classified into upper, middle, and lower parts and called Samdaemok." However, since Silla existed at the time of compilation, it is not known whether such a division is correct. According to the records of the Samguk Sagi, Goryeo It was pointed out that such a distinction was considered too far in the future because it did not become known under the name ‘Samdaemok’ until the time of Kim Bu-sik, but was called ‘Samdaemok’ from the time it was first compiled (un云) . It is not natural that he used the name ‘Hadae’ when he saw his country as a country that would soon be ruined. There is also a possibility that it was divided into the Seonggol period, the Jingol period under King Muyeol, and the Jingol period under King Naemul , rather than the Sangang , Middle , and Lower periods. Various claims related to the meaning of the three major passages

It is also not known specifically what kind of hyangga was included in the Samdaemok. However, the monk who ordered this book to be written Daegu Hwasang also appears in other records of the Samguk Yusa , and Daegu Hwasang once composed a hyangga praising King Gyeongmun at the request of several Hwarangs , including Won Won-rang . The titles of these songs were Hyeonganpogok (玄琴抱曲), Daedogok (大道曲), and Mungungok (問群曲). The contents of these songs do not remain, but among them, Mungun (問群) in Mungungok means 'asking the crowd,' so it seems that this music was music that emphasized the importance of communication between the king and the people . Since the same Daegu painter compiled the three major passages, those three songs must have been included. Also, King Gyeongmun was from Hwarang , and among the hyangga, there are songs that praise Hwarang, such as Mojukjiranga and Changiparanga .

Through this, the purpose of compiling the Three Majors is the work of deification of the King Gyeongmun family from King Gyeongmun to Queen Jinseong.[1] , it is assumed that it was part of strengthening the royal authority. In other words, it had the same purpose as the construction of Yongbieocheonga in Joseon later . In this way, it was not simply a cultural motive to collect hyangga, but a political action to consolidate the faltering royal power in the late dynasty.

Shaanxi Province in China It was in 1974 when the tomb of Qin Shi Huang and the Terracotta Warriors were first discovered when rural youth in Xi'an were digging the ground to make a well. Zhou Enlai, who was briefed on the excavation process at the time, was wary of the possibility that all kinds of relics that had been lying underground for thousands or hundreds of years were suddenly exposed to the ground due to the lack of science and technology in China at the time, and that they would break, wear out, or quickly rust due to exposure to the air, so he ordered that only some of the relics be excavated and that most of the remaining relics be discontinued. Even today, if you visit the Terracotta Warriors, many parts are still buried in the ground.

Gyeongsangbuk-do Likewise, excavation work on a group of ancient tombs from the Silla period near Gyeongju has been in progress since the 1970s, but many parts have been discontinued due to concerns about damage to cultural assets. There is a significant possibility that Samdaemok is buried here without being discovered yet.

In Korean history, research to reconstruct ancient Korean before the Middle Ages and Goryeo Dynasty is very difficult because it relies on extremely long-preserved rock monuments, such as King Jinheung's Pure Monument, and almost no paper books remain. Books made of paper can only be found after the middle of the Goryeo Dynasty and became common during the Joseon Dynasty, and even during the Joseon Dynasty, paper was rare and was often washed. Therefore, in the case of the Samdaemok written at the end of the Silla Dynasty, it would not be surprising if only one copy was created and kept.

In the royal history of Silla, there are not many places where the king and his royal tomb are accurately known, and the existence of Queen Jinseong's tomb is also uncertain. The royal tombs of other kings are also assumed to be the tombs of certain kings, but these are all only guesses and are not certain. However, one possibility remains: if all these graves are excavated and the coffins are examined using X-rays, etc., the remains will be revealed. Queen Jinseong was one of only three queens of the Silla Dynasty, and forensically speaking, female remains are differentiated from male remains. Therefore, if it is confirmed that the remains in the tomb are those of a woman , the royal tomb in question is the tomb of Queen Jinseong , and the possibility that Samdaemok will be excavated nearby cannot be ruled out. However, due to the Korean culture of not waking the dead, it would not be easy to dig up the grave and examine the body. This also applies to the royal tombs of the kings of the Joseon Dynasty, whose faces are unknown except for Taejo Lee Seong-gye , King Sejo, and Yeongjo, as many of them have been lost .